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Look for any changes in behaviour which are not reflex responses, for example:
stilling (a momentary pause)
turning (head, eyes or body)
lip/tongue movement
nostrils flaring
an eye flicker
a change in breathing
tensing or relaxing (you may need to be in close physical contact in order to perceive this)
Amelia glanced fleetingly towards the light source when it was presented in the dark corner.
Ieuan moved his arm slightly when it was stroked with a soft material.
Introduce a stimulus, then pause.
Present vibration, e.g. massager or vibrating cushion.
Smear a small amount of a taste on the learner’s lips.
Hold a jar of something strong-smelling under the learner’s nose.
Place the learner’s hand on a hot-water bottle covered with soft fabric, on something rough textured like sandpaper, or under a flow of warm water.
Play music or a familiar song; use musical instruments.
Present a torch reflected on a shiny surface. If there’s no response, try moving it slightly.
The learner’s behaviour shows a change of some kind in the presence of the stimulus. This change of behaviour is not obviously a reflex (e.g. a startle), nor a response to some internal sensation (e.g. discomfort or hunger). The change in behaviour may be fleeting and low in intensity. It may only occur in the presence of very specific or arresting stimuli and in very controlled sensory environments (e.g. a dark room).
The specific change of behaviour may only be noticeable following very careful systematic observation and recording and by those who know the learner well. Where ‘noticing’ relates to the visual modality, this step is consistent with Level V of the eyePoint Scale (Other Visual Behaviours):
Acknowledging the presence of objects without clearly fixing on them.
Visual attention given to objects is fleeting and not repeated (University College London and Great Ormond Street Hospital: Eye‑Pointing Classification Scale).
Using two staff, one supporting the learner in a sitting position and one at the front, try gently pulling the learner backwards and forwards, and then pausing.
Try different parts of the body (soles of feet or back of neck may be more sensitive areas).
Try moving the learner’s hand (especially the fingertips) in sheepskin, gel, warm water, etc.
Try sounds of different frequencies, timbre and duration.
In a darkened corner, present a repeated pattern of ‘stimulus: no-stimulus’, i.e. light: no light.
Look for any changes in behaviour which are not reflex responses, for example:
stilling (a momentary pause)
turning (head, eyes or body)
lip/tongue movement
an eye flicker
a change in breathing
tensing or relaxing (you may need to be in close physical contact in order to perceive this)
Nadia will curl into our body if one of us hugs her on their lap. In this position, she will start to smile if we sing one of her favourite nursery rhymes.
When nervous, Lee wants contact to be closer and holds the adult tight. He will sometimes vocalise when on our lap and we chat to him.
Hold the learner and talk or sing, leaving pauses for any response.
The learner’s behaviour shows a change of some kind while they are in close physical contact with someone they know well.
This change of behaviour is not obviously a reflex (e.g. a startle), nor a response to some internal sensation (e.g. discomfort or hunger).
It can be interpreted as a response to the familiar adult or to something the familiar adult is doing.
The change in behaviour may be fleeting and/or low in intensity.
Choose the learner’s strongest sense to start.
If the learner responds best to auditory stimuli, try talking and singing close to the learner, with pauses for careful observation of possible responses.
If the learner responds well to visual stimuli, try getting close and exaggerating your facial expression.
Then combine visual with auditory input.
Look for:
a change in activity level
vocalising
opening of the mouth/tongue movement
moving fingers, e.g. in sheepskin
a kick
Jack opened his eyes wide and moved his head up when the light changed in the dark room.
Megan responds to wafts of warm air from a fan with short vocalisations and excited movements of her arms.
Present an obvious stimulus to the learner in a similar way to Routemap milestone 1 (Notices stimuli), taking care not to cause a startle. Use the information you have gathered about preferred sense modalities and record outcomes.
Try new tastes in the form of a lip balm smear.
Try a vibrating cushion, resonance board or a water bed.
Present different textures, such as warm sand, with which the learner can engage. Apply them to different parts of the body.
Try using musical instruments, tapes and musical toys.
Use peek-a-boo, puppets and pop-up toys.
The learner’s behaviour changes in the presence of the stimulus. It is not a reflex, nor a response to something internal.
When compared to the change in behaviour recorded for Routemap milestone 1 (Notices stimuli), it:
is greater in intensity
may incorporate larger, less fleeting movements
may coincide more obviously with the stimulus
may occur more readily and more frequently
Increase the range, complexity and variety of stimuli you used in Routemap milestone 1 (Notices stimuli). The level of prompting/exaggeration used should be gradually reduced to a more natural level.
If the learner has only shown a response in one sense modality up to this point, then you should seek to extend this to other available senses. Consider your positioning in relation to the learner’s visual field/auditory ability etc. (see ‘Barriers to learning’ on pages 36–41 of Routes for Learning: Guidance).
Take care when presenting an ‘unexpected’ stimulus not to cause a startle reaction. It is good practice to warn the learner of forthcoming events by touch or voice.
Care must be taken with regard to placement/positioning of visual stimuli. Consider the learner’s visual field. Avoid the learner having to look up as this may cause stiffening and/or backwards movement (seek advice from a physiotherapist).
Look for:
a decline in interest when the stimulus is repeated
recovery of interest when a new stimulus is offered
During a visual tracking session, Leila was initially interested when the shiny card was presented. When it was taken away and then re-presented her attention span was much shorter and she quickly lost interest.
Meilyr showed an interest in the book as it was ‘read’ to him, but looked away after about half a minute. After a short break, the book was presented again but this time he only looked for about ten seconds. Then the book was replaced with some bells; he was much more responsive to these and sustained his interest for 28 seconds.
Present the stimulus to the learner. When the learner stops attending, immediately remove and re-present the stimulus (the gap should be less than three seconds if possible). Use a stopwatch.
If the learner attends for a shorter time to the second presentation, it is likely that the learner has remembered the stimulus. (You may need to try this several times to be sure.)
N.B. The stimulus should be neutral (not the face of a familiar adult, not food).
Try using a black and white chequerboard.
The learner responds to a stimulus by looking or listening intently for a period of time.
When the learner loses interest, the stimulus is briefly removed.
When re-presented, the learner again attends but for less time than previously.
On further re-presentations of the same stimulus, the learner attends less and less, or not at all.
When a new stimulus is presented, the period of interest is much longer.
Increase the gaps, looking for evidence of recognition memory (see ‘Habituation’ on page 30 of Routes for Learning: Guidance).
Use a variety of stimuli.
Show a new stimulus, rather than the same stimulus again. Look for a recovery of interest.
Look for:
stilling/tensing or relaxing
smiling or a change in facial expression
turning of the head
fleeting eye contact
reaching out/touching
Kamal will cry if he is supported by someone he doesn’t know (e.g. supply staff) but will calm when one of the familiar staff takes over. He smiles if he sees or hears his taxi escort nearby.
Carys is very aware of different voices. She will turn as soon as she hears her father’s voice as he comes through the classroom door.
Sit close to the learner – hug/touch.
Move towards the learner, speaking or singing.
Draw attention to particular features, e.g. exaggeration of a facial expression, the feel of long hair, a perfume smell, etc.
The learner’s response to a person they know very well is different from their response to a stranger.
When someone very familiar is near, the learner calms down, or continues to be relaxed. They may turn towards or otherwise show interest in that person.
Their response to someone unfamiliar is likely to appear more neutral, anxious or uncertain. If in distress, they may not be comforted.
Ensure that all practitioners who are in regular contact with the learner have a personal identifier or action. This should ideally be an integral part of each person, e.g. long hair, a beard, etc.
Encourage voice recognition – use the learner’s name on approach and talk using consistent language.
For learners with a visual or hearing impairment, a personal, tactile sign may be used.
If the learner is tactile defensive, try other senses.
Look for:
a change in activity level or facial expression
movement of eyes, lips, tongue
vocalisation
tensing/relaxing
movement of arms/legs/fingers
Sean happily explored soft, furry materials, but when presented with brushes and sandpaper, he pulled his hands away.
Seren seems to like the soft textures of our ‘sea’ sensory story but not the feel of cold water; she pulled her hands out. She will splash her hands in warm water. She seems to like chocolate to taste, but appears not to be keen on bland mashed potato.
Develop activities you used previously for Routemap box 3 (Responds to very obvious stimulus), increasing the range, complexity and variety of stimuli.
The learner responds to a wider range and variety of different stimuli.
The range of stimuli may extend beyond those specifically designed to give strong sensory stimulation.
Some responses may occur outside of controlled sensory environments.
As in Routemap box 3 (Responds to very obvious stimulus), the learner’s behaviour in the presence of the stimuli is easy to detect, and can be readily interpreted as a response.
The learner may now show responses in a number of sensory modalities and it is becoming easier to discern stimuli they like or dislike.
Further increase the range, complexity and variety of stimuli you used in Routemap milestone 1 (Notices stimuli).
Gradually reduce prompting and level of stimulation to a more natural level.
If the learner has only shown a response in one sense modality up to this point, then you should seek to extend this to other available senses. Consider your positioning in relation to the learner’s visual field/auditory ability, etc. (see ‘Barriers to learning’ on pages 36 to 41 of Routes for Learning: Guidance)
In addition, see the information regarding Routemap box 3 (Responds to very obvious stimulus).
Look for changes in the learner’s behaviour, e.g. looking, smiling at the adult, vocalising, especially during a pause.
Manon enjoys being swung in a familiar person’s arms. The teaching assistant swings her for ten seconds, then pauses, waiting for Manon to laugh. When she does, the teaching assistant says “More?” then swings her again. They repeat this as a turn-taking game.
When I strum the guitar and then leave a pause, Harry will often vocalise during the silence.
Support the learner in a rocking game, e.g. ‘Row your boat’.
Support the learner coactively to return/push the ball to an adult, accompanying your actions by ‘Ready, steady, go!’
In conversation, take turns – talk animatedly, leave pauses for a ‘reply’.
Present/re-present a toy or object (visual/musical/vibrating), taking turns and facilitating the learner to take their turn.
The learner makes a response after the adult has:
provided a clear, or even exaggerated, opportunity to take turns
prompted the learner to respond and have a turn
The timing of the learner’s response can be interpreted as being ‘their turn’.
Additionally, the environment has been carefully arranged to support the learner’s requirements.
The communication partner is physically close and is present throughout.
Use a member of staff to support the learner in taking turns, e.g. holding the learner, working hand-over-hand, coactively, etc.
Leave time for the learner to initiate a response.
Look for the learner responding in the same way each time a stimulus is presented.
It should be noted that for a variety of reasons the responses of learners with PMLD may not be ‘consistent’ from day to day.
Aaron always smiles when he hears the voice of his taxi guide.
Sioned does not like the sound made by hook-and-loop fasteners and flinches every time she hears them torn apart.
Present a familiar visual/auditory/tactile/other sensory stimulus which has been used consistently with the learner.
Repeat in the same way several times (but not so often that the learner ‘habituates’ or gets bored of the stimulus).
The learner responds in a similar way each time when a specific stimulus is repeatedly presented.
The learner’s behaviour in the presence of the stimulus can be readily interpreted as a response.
In relation to the learner’s ‘looking’ behaviour, this step corresponds with Level IV of the eyePoint Scale (Fixes Gaze):
‘Consistent active ability to fix and hold gaze on … a stationary target’ (University College London and Great Ormond Street Hospital: Eye‑Pointing Classification Scale).
Check that the learner is comfortable and secure (see ‘Some key principles for effective learning’ on page 32 of Routes for Learning: Guidance).
Look for the learner following a stimulus with their eyes.
Efan moves his head in little jerks to follow the gold bag or the coloured day of the week card as they are moved from left to right and from right to left.
While Ella was pushed around school in her wheelchair, she looked up further and further to the left as we passed the windows where natural light comes in.
Try using sound to attract attention, then move to a visual stimulus, e.g. brightly coloured or fluorescent objects. Move the stimulus vertically as well as horizontally and in both directions.
The learner’s eyes focus on a stimulus.
When the stimulus moves, the learner’s eyes move in the same direction.
They can follow a stimulus in more than one direction.
‘Following’ may be brief and might be jerky and incomplete (moving from position to position).
‘Tracking’ more smoothly develops from this.
Try using objects with different visual properties, e.g. those with different colours or brightness.
Look for the learner signalling a desire to stop the activity or interaction, e.g. by turning away, pulling a face or pushing.
During the Affective Communication Assessment, Zayan is given a tiny taste of salad cream. His body tenses, he purses his lips and drops his head. When presented with another small taste he turns away, keeping his lips pursed. In contrast, when presented with a tiny taste of chocolate spread, Zayan seems relaxed. He makes sucking movements with his tongue and keeps oriented towards the adult.
Nia accepts most kinds of food when offered on a spoon, but clamps her mouth shut when presented with a toothbrush.
Present a range of stimuli (those not preferred by the learner).
Watch for signs from the learner such as turning away, averting the eyes, changing facial expression, movement of arms or legs.
To demonstrate this behaviour, the learner must be able to show a positive response to some stimuli.
Although they show interest or pleasure in response to other stimuli, the learner’s current behaviour is distinctly different.
They now ignore or actively avoid the stimulus and may show signs of unease.
The learner is dependent on a familiar communication partner recognising these responses.
The learner’s behaviours are reactions to events and stimuli rather than behaviours intended to affect others.
This ‘rejection’ response is negative and therefore difficult to teach.
At first, it may be very subtle. At every opportunity reinforce or ‘shape’ the behaviour, responding consistently to confirm the meaning.
Look for the learner responding in a different way to:
one kind of object or sensory experience compared to another
one sensory modality (e.g. a sound) as opposed to another (e.g. a taste or a smell)
objects and sensory experiences as opposed to interactions with people
Martin loves being sung to in Welsh and will always respond with animation to Welsh music and speech. He does not like having his hands placed into cold water or paint and loud music makes him jump.
Tahayra will pick her head up when we leave the school building to go out into the fresh air. She will look up at the lights as we move from one part of the building to another. Tahayra laughs if tickled but pulls away and cries at massage on her arm. She completely ignores bubbles, but rocks back and forward when loud music is playing.
Present stimuli believed to be strongly liked or disliked and note the learner’s reactions.
Do stimuli believed to be liked get different, broadly consistent reactions to those believed to be disliked?
The learner demonstrates a number of different behaviours when responding to a range of stimuli.
Differences in their responses provide clear evidence of personal preferences.
Try additional strong stimuli in a variety of modalities. Repeat on a number of occasions.
After consulting a physiotherapist try the following.
Place the learner on a thick blanket with the head supported and sweep and swirl the blanket along a slippery floor, building in pauses for a response.
Give the learner a taste/smear of something they are likely to like/dislike, e.g. something with a strong, distinctive taste such as yeast extract, lemon juice, rhubarb, chocolate or strawberry. Different flavoured lip balms could also be used.
Present eucalyptus or another strong smell from a smell bank.
N.B. Do not repeatedly present stimuli which get a ‘dislike’ reaction on the same occasion. Instead acknowledge the learner’s communication and remove the stimulus.
Note how the learner ‘signals’ the end of an interaction, e.g. by turning away or averting the eyes.
Jill seems happy listening to her favourite music. For the first few minutes she smiles while her hand is stroked in time to the music. She then pulls her hand away and shuts her eyes.
Leo closes his eyes if he has had enough of an adult talking to him. He will bring his hands to his face and leave them there as if blocking out the adult.
Watch for this during a range of activities. Extend turn-taking activities and ‘model’ this behaviour.
During a familiar routine or interaction, the learner can be understood to be stopping their engagement with the other person.
The learner may continue to engage with an object or activity, but withdraws from the interaction.
Respond consistently and respect this signal or the learner may try more extreme measures.
After repeated alternate presentations, look for the learner turning their eyes, head or body part to the next position before the stimulus appears there.
When sound, vibration or light, etc. is presented in a pulse pattern, look for the learner anticipating the next presentation, e.g. the body may stiffen or the eyes widen before the next presentation of a sound.
The bell was rung behind James, first on the right and then the left, several times in succession. He turned each time towards the side from which it was played. After one re-presentation on the right, I waited and he turned to the left in anticipation. We tried something similar with ‘peek-a-boo’ birds which emerged alternately from two holes, again on a pause his gaze moved to the next anticipated position.
Martha can anticipate the next location of a light or sound stimulus when presented in an alternating pattern. When I stood behind her on the trampoline and leaned down first to one side and then the other, she turned in anticipation of the direction I would next appear from.
Try the following with the learner.
Present a visual stimulus alternately in two different positions.
Present a single sound in a regular repetitive pulse pattern.
Place a vibrating brush, massager, etc., on two different parts of the learner’s body alternately.
After the learner has experienced a stimulus being presented first in one location then in another and this pattern has been repeated, the learner’s eyes, head or other relevant part of the body move towards the next location in the pattern but before the stimulus appears there.
If there is no response, try sparkly/twinkly items such as fibre optics, lights or fluorescent rods under ultraviolet light. Blow on alternate sides of the learner’s face or blow a raspberry on different parts of body. If the learner has a visual impairment and is slow to develop anticipation, return to Routemap box 12 (Responds differently to different stimuli) and emphasise tactile sense.
Look for strategies used by the learner which appear to signal that they want the ‘exchange’ to continue, e.g. by eye movement, body movement or vocalisation.
Alex is taking turns in clapping hands with her teacher. When the teacher turns to answer a colleague, Alex starts to cry.
I was stroking Liam’s arm gently. When I paused and withdrew my hand, he began banging the tray in front of him and vocalising loudly.
Break off interaction during the routine; turn away and stop the activity. Note the learner’s reaction.
When a familiar social routine is stopped, the learner acts in a way which seems to indicate irritation or disappointment.
Their behaviour looks more like a direct reaction to the ending of the exchange, rather than a request to the communication partner to re-commence.
Ensure practitioners respond to the signal consistently.
Look for the learner:
moving their fingers or hand
smelling or trying to lick or mouth objects
actively exploring objects in turn
Kayleigh laughed as sand was sprinkled over her feet; she then moved her feet in the sand.
Peter coactively felt a feather boa during our story and continued to hold on to it.
Place the learner’s hand on an interesting object and assist them to feel it, then pause.
The learner demonstrates a response provided that:
the environment has been carefully arranged to support their requirements
an adult is physically close and is present throughout
the adult has initiated the interaction by (at least):
bringing the material to the learner
bringing the learner’s hand, foot, etc. to the material
Place the learner’s hand or foot in warm water; agitate the water.
Pour sand over the learner’s hand or foot.
Bury the learner’s foot in sand, shaving foam, jelly or slime.
Use a ball pool, feely bags, etc.
Look for signs of anticipation, e.g. stiffening or movement of the whole body, an increase in eye contact, smiling or laughing.
I paused before offering Katie the final mouthful of food, using a big movement and saying ‘Here it comes!’.
I lifted the spoon from the plate, stopping the spoon ‘mid-flight’ just before it reached her mouth. Katie increased her body movements slightly and, in response, I offered her the last spoonful.
Nathan opens his eyes and mouth wide and smiles when I exaggerate moving my arms towards him prior to tickling.
Within a familiar routine (e.g. ‘drinks’, personal hygiene, social games), pause before the climax.
Just before the climax of a routine, the learner‘s excitement and their engagement with it can be seen to increase markedly.
The learner is dependent on a narrow set of familiar routines and on the skills of a sensitive communication partner who knows the learner well, presents well-timed opportunities, and facilitates and recognises the learner’s responses.
Ensure that consistent routines are used for personal hygiene, drinks, etc. Cue or exaggerate a particular part of the routine to turn it into a game, e.g. when changing the learner, develop a game around the need to lift their bottom off a bench. This could involve the cue of an exaggerated intake of breath as the learner’s bottom is raised, a dramatic pause in the action, and culminates in repeated bouncing.
Try regular and frequent games such as those based on nursery rhymes or other personally devised games.
Look for the learner losing interest in the first object and focusing attention on a new item.
When a musical instrument is offered to her, Nahid will look at and reach for it. If a second instrument is then introduced, she will drop the first and reach for the new one.
When an item of food is on the table, Matthew will reach for it, but if his drink bottle is then put in view, he will reach for that instead.
While the learner is attending to an object, offer a second interesting item to encourage redirection of their attention.
The learner looks at/grasps/begins to explore a new object after it is introduced.
Only one object is present (initially).
In relation to the learner’s ‘looking’ behaviour, this step corresponds to Level III of the eyePoint Scale (Fixes, disengages and shifts gaze) (University College London and Great Ormond Street Hospital: Eye‑Pointing Classification Scale). N.B. This shift of attention is not the same as making a choice.
Try prompting visual or tactile exploration of a second object, allowing time for the re-focus of attention.
Look for:
independent (but random) movement of hands or fingers
active exploration by the mouth or other parts of the body
the learner’s reaction to any ‘effects’ created
Anwen moved her feet when the space blanket was placed underneath them. The noise seemed to interest her.
Li rolled about on the musical mat in the light room causing the music to play.
Place the learner on a reactive surface, e.g. a space blanket or resonance board.
The learner makes something happen close to them provided that the:
environment has been carefully arranged so that a movement within the learner’s repertoire encounters the target material(s)
materials produce strong sensory effect(s) which are not obviously ignored or disliked by the learner
The adult does not need to be continuously present and does not provide physical support to enable the action(s) to happen.
Use a range of surfaces or toys which react to touch (e.g. a survival blanket, an interactive floor mat, a sound beam, a Bobo doll). You could also use a ‘little room’. Provide opportunities for the learner to have an effect ‘by chance’ on the immediate environment (e.g. knocking a noisy toy). Reinforce these actions, prompting a repeat and ensuring a consistent result.
Look for the learner looking after the object as it disappears.
When Connor’s dad said goodbye to him and walked out of the classroom, Connor followed with his eyes and stared momentarily at the door when the door closed.
Emma was playing with a small cuddly dog toy from a story sack when the teaching assistant removed it from her tray and returned it to the sack (which was on the floor). Her gaze followed the toy and she continued briefly to look at the sack into which it had disappeared.
When the learner is focused on an attractive object, move it slowly and deliberately out of sight and watch for any reaction.
The learner’s eyes focus on a stimulus. When the stimulus moves, the learner’s eyes move in the same direction.
When their gaze reaches the point at which the object disappears from view, they continue to look there for a very brief period following the object’s disappearance.
Use a variety of situations or places to encourage the learner to ‘look after’ an object which has disappeared from view.
Look for the learner making attempts to create an action or effect.
Owen will eagerly bash the resonance board to create a range of sounds. When placed on a noisy space blanket, he wriggles and kicks enthusiastically.
Sarah will explore sensory materials placed very near her, such as beads that sparkle under lights. She will also use her hand to make sounds on the chimes and pulls fibre optics closer to her.
Place the learner on an interesting reactive surface and note the response.
The learner makes something happen more than once provided that the:
environment has been carefully arranged for them to do so
materials involved (are designed to) provide strong sensory effect(s)
The learner shows clear interest in the effect(s) produced.
The adult does not need to be continuously present and does not provide physical support to enable the action(s) to happen.
Use physical or verbal prompts to initiate exploration, then reduce the frequency of the prompts. Draw the learner’s attention to the effects created.
Look for the learner vocalising/moving/changing facial expression, for example:
widening their eyes, staring at an object
moving their arms
opening their mouth or vocalising
reaching towards an object, in a way which may be interpreted as a request for more
Sophie is working with the physiotherapist. She is enjoying reaching out to hit an electronic keyboard. When the therapist turns away to write herself a note, Sophie waves her hands towards the keyboard, frowning.
If Isaac is giving a staff member a cuddle and they pull away, he will reach out and pull them back in for more cuddles. When a snack is gone, he will bang the table until he is given more.
Engage the learner in an enjoyable activity. Break the activity at a critical point, pause, and await the learner’s response. For example:
during eating, pause, holding the food in front of mouth
during singing, pause in an action song
pause while beating on a resonance board
While engaged in an interaction with a partner, the learner makes a response which can be interpreted as ‘I like that action or stimulus and will accept more of it’.
The response occurs during a pause (their ‘turn’).
The learner may not be intentionally affecting the communication partner’s actions, but a sensitive communication partner can understand/interpret their behaviour.
The ‘more’ responses are likely to depend on the type of stimulus (e.g. smell, action, taste, sound, smell, texture), but do not rely on a familiar context.
Using stimuli to which the learner has a consistent response, build up a pattern. Pause within the pattern and interpret the learner’s next response as a request for more. For example, while offering food on a spoon, pause just before putting the spoon in the mouth and interpret the learner’s next response (e.g. lips opening) as ‘more’.
Extend the distance of the spoon from the mouth. Lips closing could mean ‘no more’.
Pause during bouncing or a resonance board activity with an action song. Interpret body movement or a facial expression as a request for more.
Look for:
the learner making something happen independently
the rate of action increasing when it has an effect, e.g. kicking increases when it causes a mobile to move
whether or not the learner waits for a reward to finish before pressing a switch again
Martina knew that she had to press the touchscreen to make something happen and did so repetitively. She continued to do so all the time the reward was playing.
Jordan swipes the chimes repeatedly, without waiting for the sound he’s created to die away first.
Using an action which you have established that the learner can do (e.g. kicking, pressing a switch), use a reward and observe the rate of response.
The learner acts successfully to make something happen (the reward).
They demonstrate some degree of interest in the reward.
After experiencing success, they keep repeating the action.
Their actions do not seem to be timed to coincide with the reward ending and may be just as frequent while the reward is still happening.
At this stage the learner may not fully understand the connection between their action and the outcome. Ensure the action obtains a consistent result to help the learner establish this link.
A particularly effective technique may be to attach a string to the learner’s ankle enabling them to move a mobile – the more the learner kicks, the more the mobile moves. This technique ensures that the learner receives good feedback.
Look for the learner deliberately making things happen in an everyday environment.
Lily will place her hands into the water tray and splash about; she also enjoys doing this in the pool.
Gareth picked up a string of beads from a tray of materials. He looked closely at them while moving them about in front of his eyes.
Try a range of everyday play activities (e.g. sand, water) which require the learner to interact repeatedly to gain an effect.
The learner makes something happen more than once.
The materials involved are not specifically designed to provide strong sensory effect(s).
The learner shows clear interest in the effect(s) produced.
The adult does not need to be continuously present and does not provide physical support to enable the action(s) to happen.
Use a range of preferred objects or activities and use prompts to initiate exploration.
Reduce any prompts over time.
Look for the learner ‘noticing’ a second event/stimulus and reacting or changing behaviour, e.g. by turning, attending or vocalising.
During circle time, a member of staff from another class came into the room in fancy dress playing the guitar. Caleb turned to look and listen.
If someone enters the room when Hannah is using the computer she ignores the computer and focuses on the interruption.
Introduce a second toy/stimulus/adult/peer nearby while the learner is engaged in an activity.
The learner’s attention moves to a new event when it occurs.
This may be a temporary distraction – the learner may either return to their previous activity or else forget about it – depending on how interesting the event is.
Introduce a second activity, e.g. an adult or peer entering the room.
Draw the learner’s attention to it.
Look for the learner acting with intent and more consistently, for example:
waiting for a reward to end before trying again, linking a particular action with its consequence
a change in facial expression or concentration
increasing accuracy
Sam will press a switch to activate a hairdryer or a music player; he smiles when he sees it has been activated and waits. Once it has stopped he will reach out to press again.
Eira hits her drum and then waits and listens as the music teacher plays the same pattern in response. She then hits the drum again.
Provide a switch for a toy or provide a wobbly toy, wind chimes, etc., which can be operated by an action that the learner has already acquired.
The learner acts purposefully to make something happen.
This action is not repeated while the reward operates.
They attend closely to the reward and may show pleasure and excitement.
They repeat their action only when the reward has finished.
Encourage the same action to obtain a variety of effects. Ensure that every repeat of the action is successful.
Look for any form of exploration, e.g. the learner looking around, reaching out, or a body movement if on the floor.
When we were in a different classroom, Zoe rolled on the floor to get near to the doll’s house.
If Nicholas hears that some object has been placed on his wheelchair tray, he will first search for it using his hands and then, if it is something he likes or wants, he will spend time exploring it.
Observe reactions to a less familiar environment, when accompanied by a familiar adult.
The learner engages with a nearby object or materials, or their immediate surroundings.
The learner shows clear interest and focus.
The learner’s actions are directed towards this focus.
The environment and materials are not specifically designed to provide strong sensory effect(s) and might be ones that are not regularly encountered by the learner.
Although the adult may be present, the learner’s actions are not dependent upon those of the adult.
Provide interesting visual/tactile experiences in a controlled way by regularly introducing new stimuli and drawing attention to them.
Look for a response which may indicate ‘no more’, e.g. eyes closing, turning away, closing of the mouth. Reinforce and build upon this, responding consistently on every occasion.
We know Mira wants ‘more’ because she uses sustained eye contact, smiles and reaches out. We know she means ‘no more’ when she turns away, refuses eye contact or pushes us away.
It is usually clear from Jake’s facial expression that he wants ‘more’ and he will sometimes vocalise at the same time. However, when he’s had enough he will close his eyes while someone is talking and if they don’t stop he will turn his face away.
Observe the learner’s reactions to a less preferred activity or food, etc. Note the actions which may indicate ‘no more’. This should be distinct from the action(s) used to indicate ‘more’.
While engaged in an interaction with a partner, the learner displays two distinct kinds of response:
responses which can be interpreted as ‘I like that and will accept more of it’
other responses which can be understood as ‘I don’t like that’ or ‘I don’t want more of that’
Such responses are used quite consistently in different contexts and often occur during a pause in an interaction (the learner’s turn).
The learner’s preferences can be understood by unfamiliar communication partners.
Note even a slight response or change in expression to an activity which the learner wishes to end. Reinforce and shape this behaviour by saying or coactively signing ‘finished/no more’ and clearly finishing the activity.
Look for the learner attending to, or feeling, each of the two objects in turn and redirecting their attention.
Elis looked back and forth from the shaker to the bells, twice; he seemed to be more interested in the bells.
In the sensory cave, Laura reached for the chimes, the baubles and again the chimes.
Place two attractive objects on the learner’s tray to be explored visually or by touch; bring both to the learner’s attention and wait.
The learner explores one object then explores the second object.
The learner continues to show some degree of interest in both objects, giving attention to each at different times.
Two objects are present throughout. N.B. This alternating attention is not the same as making a choice.
Try prompting exploration of each object in turn, allowing time to re‑focus attention. Both objects need to be in the learner’s visual/spatial field.
Encourage the learner to explore both objects, rather than to ‘choose’ one of them.
Look for the learner repeating a request for more, despite a delay.
I paused just before the end of a game of ‘Round and round the garden’ and then Anil lifted his right arm up and down repeatedly, vocalising loudly when we continued the game.
When she is on the swing, if the swing stops, Lucy will repeatedly rock, vocalise and make eye contact with the adult until they respond by pushing again.
Try pausing in an established routine. When the learner signals that they would like ‘more’ (as in Routemap box 22 (Responds in ways that can be interpreted as meaning ‘more’)), continue to delay the response.
During a pause in a social game, the learner shows the communication partner that they would like ‘more’ of the activity.
The learner repeats their own action when the partner fails to respond.
The learner is not dependent on the communication partner to interpret their attempt to participate (the learner is proactive).
This response from the learner is only seen within a narrow set of social games or routines.
Use an established routine in a social game, pause, and then wait for the learner to repeat the action. Lengthen the delay, encouraging the learner to persevere.
Look for an example such as the learner missing a switch the first time, or failing to depress it sufficiently, but trying again and succeeding.
If an object is placed just out of reach, Sophia will try several times to reach it. If the object is moved closer in small steps she will continue to reach for it in the same way until finally she is successful.
Leon tried to grasp a toy that was floating away in the pool. He reached out repeatedly as I moved him slowly in its direction, until eventually he got hold of it.
Try:
moving the learner’s switch slightly
changing the surface to make a toy harder to move
using an adjustable pressure switch, increasing the pressure of the switch slightly
The learner attempts to make something happen, but doesn’t succeed.
The learner repeats the original action (perhaps more than once).
There is no attempt to change the action itself although the learner may, for instance, reach a little further or press a little harder.
You may wish to encourage problem-solving by moving the position of the switch slightly. However, beware of confusing or frustrating the learner.
This step can be taught in a range of situations (i.e. not just using switches and other forms of technology).
Look for the learner trying to attract the attention of familiar staff nearby.
Dafydd will reach out and pull on an adult’s hands or clothes to get attention (provided they are close enough).
If Robyn is in an uncomfortable position in her seating/standing equipment and an adult is close by, she will look towards them and cry out until they come over to her.
Stay within the learner’s sight/hearing but do not interact; wait to see if the learner shouts, waves or cries, etc. This might be a minimal response.
In the absence of an ongoing social interaction, the learner initiates a request for attention provided that observant, responsive and familiar communication partners are nearby, and ready to respond.
Set up situations where familiar staff are nearby, but not interacting.
Consistently reinforce attempts by the learner to gain their attention.
Look for the learner attempting to initiate a game, e.g. by reaching out for the adult or by other means.
If anything is left near enough to her, Poppi will pick it up and drop it on the floor, if it is replaced by a member of staff, she laughs and drops it on the floor again.
During the afternoon break, Dylan looked at me and held out his palm for a game of ‘Round and round the garden’ which we had played together earlier in the day.
Building on Routemap box 30 (In the context of a familiar social game, perseveres by repeating action in order to get reward), approach the learner and wait for him/her to initiate a game.
The learner makes attempts to initiate a social game or routine.
Their actions go beyond simply continuing an existing game or responding to an opportunity that arises.
The learner needs the support of a familiar routine and/or the learner needs support from familiar communication partners who are attentive and able to recognise initiations.
See the information regarding Routemap box 30 (In the context of a familiar social game, perseveres by repeating action in order to get reward) on page 43 of this assessment booklet. Prompt the learner to initiate a game and respond to this, e.g. the learner knocks a toy off the table and then attracts attention to get it back.
Look for the learner:
looking towards the point of disappearance for a brief time
stilling, turning their head or changing their facial expression when a noise stops
searching briefly by feeling on a tray for an item removed from their grasp
searching more actively or for a longer duration
When an adult stands directly in front of Abi and hides a favourite toy behind their back, she will pull on them to try and turn them around or stretch her arm out towards where it is hidden.
Rhys actively looked for his drink bottle, pulling the lid off a box after watching it being placed inside. He also pulled aside a screen behind which his toy car had been hidden.
Engage the learner’s attention with a shiny, noisy or furry object. Then, either move the item out of sight, keep it quiet or move it just out of reach. Does the learner ‘search’ for the item?
The learner focuses on a stimulus.
If the stimulus moves, the learner’s eyes follow it to the point where it disappears from view and continue to look there afterwards.
If the stimulus does not move but is covered over, the learner’s gaze remains fixed on, or returns to, the place where they last saw it before it was obscured.
They ‘search’ for the stimulus visually, through touch, or by listening more intently in its direction.
If there is no response to the object being removed from the field of attention:
try partially covering the object, or use a see-through cloth
use a moving object under the cloth
Ensure that the learner’s attention is focused on the place from where the object disappeared (e.g. make a noise with it from just outside the learner’s field of vision), then bring the object back into sight for a short time from this direction.
Prompt the learner’s hand to reach for the object in the direction in which it was moved away.
Look for a decrease in time between the two actions. These should be done in sequence rather than pausing after the first action.
Lewis will pull a sheet off the switch and then press the switch to get the reward. He will put his hand into paint and then onto paper to make marks.
Alys watched as a toy was placed under a box on the floor. She then rolled over to it and lifted the box in order to get the toy. On another occasion, she moved my fingers away from the folding mirror, grasped and then opened the mirror up in order to look at herself.
Build on an established routine to use two responses to gain a reward, e.g. the learner pressing one switch and then a second switch in sequence in order to get a reward on a computer programme.
The learner makes something happen by completing two separate actions in sequence.
Both actions are necessary in order to be successful.
The actions used here should be established responses. Support the learner to build a new routine by giving a reward only after the second action has been completed. Reduce the strength and frequency of prompts.
Look for:
increased eye contact with one item
a greater change in facial expression in response to one noise when two are presented in an alternating pattern; leave enough time for any responses
an increased level of activity (e.g. arm or leg movements) during a pause following a taste of one particular food
We moved Casper onto a mat on the floor, after putting a toy on each side of the mat. He manoeuvred himself towards the flashing tambourine, whichever side it was on, and spent time playing with it, even when we swapped its location several times.
Lowri was given a plate containing pieces of banana and soft broad beans. She chose to eat all of the banana, piece by piece, but didn’t touch any of the beans.
Present two items to which the learner will respond, e.g. brightly coloured or noisy toys, a smell, a taste of drink, etc. Observe the learner to see if the response to one item lasts longer, or whether there is an obvious change in activity level.
The learner selects one item when both/all items are presented together and are equally accessible (i.e. within their reach/view).
They have previously had the opportunity to see/manipulate each of the items individually (especially if the learner has a visual impairment).
The learner’s focus is on one preferred item and their reach (if any) is clearly an attempt to grasp or manipulate the item itself. Their actions do not appear designed to communicate anything to another person.
Offer two items in a variety of situations.
Include one item known to be preferred by the learner.
Change the position/order of items over several presentations.
Allow the learner to explore and make their own selection. (Try not to prompt them to ‘choose’.)
Look for:
smiling
eye pointing
reaching
turning towards a preferred item
Craig’s facial expression changes when an adult picks up his favourite toy or snack visible among others.
Anna reaches towards the toy she wants, eye‑pointing towards it, sometimes glancing towards the adult.
Offer two items simultaneously. Observe the learner closely for obvious or increased attention to one of the items which communicates their preference.
The learner indicates their interest in one particular item:
when both/all items are presented together
even if the items are out of their reach
when the position/order of items is randomised over several presentations
The learner’s behaviour, while focused on a preferred item (as in Routemap box 36 (Selects from two or more items)), is not just an attempt to physically obtain it.
Their behaviour here also acts as a ‘signal’ to the other person – for instance, it may look more like a ‘gesture’, might incorporate some degree of direct eye contact or indicate an apparent response to a communication partner.
Offer a preferred item alongside a non-preferred item. If there is no clear response to the preferred item, either move it, bring it closer or cause it to make a noise to attract the learner’s attention. Try this with a variety of objects and situations, changing the position/order of items over several presentations.
Look for the learner repeating an action then adapting or modifying it in an attempt to get a response.
If the chimes are moved so that he can’t quite reach them, Geraint will try to move his arm in a different way and will reach higher in order to hit them.
Chloe will stretch further and, if necessary, alter the angle of her reach to get to an object she wants.
Within a routine based on established behaviours, alter the physical layout of a task.
In a very familiar social context (as, for instance, for Routemap box 33 (Initiates social game)), ensure a reward is not given.
Note the learner’s reactions.
The learner attempts to make something happen, but doesn’t succeed using the original action (which may be repeated at first).
The learner then begins to adapt the original action. After modifying it significantly, the learner experiences success.
N.B. Only a single action is needed, but it has to be adapted. The final action retains some similarities to the original. The learner’s actions have the appearance of ‘trial and error’.
Prompt/scaffold a modified action and ensure that the learner obtains a result.
Try making changes to a toy that the learner knows how to use, e.g. use a mobile attached by a string to the learner’s wrist and slacken the string so that the learner needs to make larger movements to get the mobile to work.
Look for all unprompted attempts to gain adult attention, in particular at times when an adult is not expecting them. Strategies can be taught (e.g. pressing a particular switch which could be present on a tray or chair) but they must come to be used on the learner’s terms not just after adult encouragement.
When Ryan wants to come out of his chair (or up from the floor), he will vocalise loudly to gain the attention of one of the class team, holding his arms up as he does so.
When Melanie is working on her own (e.g. using the computer) and wants something, she bangs the (metal) side of her wheelchair until someone comes over to speak to her.
Avoid attending to the learner. Observe the strategies used to gain attention, with no prior intervention. These may include:
vocalising until an adult appears, then stopping
pushing items off a tray and then smiling when an adult appears
stopping activities to press a switch which has consistently been used (with support) to call an adult
In the absence of an ongoing social interaction, the learner initiates a request for attention.
The request can be clearly interpreted even by communication partners:
who do not know the learner well
who are not near to the learner at the time
whose attention is elsewhere
Choose an action in the learner’s repertoire to which an adult can respond consistently by giving attention, for example:
pressing a switch (left available in same position)
vocalising above a certain sound level
moving arms/legs/eyes, etc.
By responding consistently to the action, the adult encourages the learner to carry out the action on future occasions in order to gain adult attention as a reward.
Look for the learner gaining the attention of an adult, for example:
looking towards or indicating a stimulus, and then looking back to the adult
stilling to a sound or moving to music, and then looking back to the adult
touching an item, and then feeling for the adult’s hand
Look for the learner showing pleasure in sharing, or trying to ‘comment’ on the item.
While sharing a story book with an adult, Olivia looked up at intervals and smiled at the adult, before looking back to the book.
When playing on the plasma screen, Daniel looked at the effect his actions had caused, then looked at me and smiled.
Set up a novel or interesting stimulus reasonably close (but out of reach) and wait to see if the learner switches/alternates their gaze between the object and the communication partner.
The learner should join the adult in attending to a stimulus, confirming the attention of the adult visually throughout.
Stroke a dog. Does the learner also touch the dog and smile at the adult?
Point to an item in the near distance. Does the learner look towards the item then back at the adult?
The learner:
fixes their gaze on an object, disengages their gaze from the object, then shifts their gaze to the partner’s face and/or
fixes their gaze on the partner’s face, disengages their gaze from the face, shifts their gaze to an object
This step corresponds to Level II of the eyePoint Scale (Shifts gaze to face) (University College London and Great Ormond Street Hospital: Eye‑Pointing Classification Scale).
Within familiar contexts, the learner responds to and initiates joint attention without the support of a familiar social routine.
Teach joint attention by prompting the learner (verbally or with touch) to look at, listen to, or feel an item of adult choice, then to attend to the adult and the item in turn.
Take the opportunity to share a stimulus to which the learner is attending. Encourage attention to the stimulus and then the adult in turn. This is key for all future communication.
Look for the learner giving attention to a symbol for a preferred item and then waiting for the item to be presented.
Ollie will touch a clear photo of the item he wants from a choice of two very familiar, favourite toys which are kept in the cupboard. Currently, these include a toy vehicle, a toy alien and a fuzzy ball.
Jodi selects her preferred snack item by eye‑pointing to a symbol from four symbols on a choice board.
Present to the learner objects of reference/pictures/symbols/photographs for items of interest which are not present. Does the learner indicate or pay attention to one of the symbols in order to request a preferred item?
The learner indicates the preferred item by selecting its symbolic representation from several symbols, objects of reference, pictures or photographs.
None of the ‘available’ items are physically present.
All of the symbolic options are easily accessible to the learner who has a reliable method of indicating.
The learner’s behaviour is focused on the symbolic representation until it has been ‘received’/confirmed by another person who then provides the indicated item.
The learner accepts some delay between choosing and receiving the chosen item.
Show a photograph or symbol of a preferred item to the learner before presenting a stimulus. Repeat this to build up the association.
Now show two objects/photographs/symbols – one for the preferred item plus one other – then present the item related to the symbol which has been indicated.
Look for a reduction in the time during which the learner tries the original action in order to gain a reward.
Look for the learner trying something new.
After several attempts to get the switch to work, Ben stopped hitting it, picked it up and handed it to me.
If Rachel taps someone standing close to her but they do not respond, she will try coughing in a further attempt to attract their attention.
Use an established routine where the learner’s action results in a particular reward. Delay the reward to see if the learner then uses a different action in order to get the reward.
The learner attempts to make something happen, but doesn’t succeed using the original action.
They cease repeating or trying to modify the original action and use another action which looks significantly different from the original.
When the learner recognises that the original strategy will not work, and as soon as an attempt at a new action is made, a reward should be given. As the learner becomes aware that repeating the original action will not work, a new strategy will be attempted more quickly.
Encourage/shape a second, different action when the learner repeatedly tries the first. Try:
prompting the learner to use another action which is in their repertoire – then giving the reward
using computer programmes which require alternate pressing of two switches – reward on the second switch
using single switch programmes where the timing of switch-pressing is important
moving the switch so that the learner needs to use the other hand
Look for:
attempts to gain adult attention (as above) and make
a request, e.g. vocalising for attention and then touching a symbol on a tray
the learner timing switch-presses to get a desired result in a computer programme
Jamie vocalised loudly until I stopped what I was doing and came over to him. He then pointed to the sink to indicate that he wanted to play with water. He also gains our attention in this way, then points to his book or points to the cupboard where his drink and snack are kept.
At the end of the school day, Thea calls to her favourite adult in the class and then looks at the lit candle. She persists until they come over and hold the candle so that she can blow it out. She regularly draws our attention in this way to help her achieve other things she wants but is (physically) unable to accomplish on her own.
Stand or sit in view of the learner, but do not pay attention to them. Does the learner then try to gain your attention? Does the learner then go on to request an item which is out of sight or reach?
The learner both engages a communication partner, using a strategy like vocalising or reaching, and draws their attention to something they want.
The learner engages a communication partner and conveys that they want the partner to do something such as pick them up or tickle them.
The learner applies these strategies in a variety of contexts.
For learners who rely on eye‑pointing, the learner:
fixes their gaze on an object, disengages their gaze from the object, shifts their gaze and fixes on the partner’s face, returns their gaze to fix on the same object
fixes their gaze on the partner’s face, disengages their gaze from the face, shifts their gaze and fixes on the object, returns their gaze to fix on the same partner’s face
This step corresponds to Level I of the eyePoint Scale (Uses Eye‑Pointing) (University College London and Great Ormond Street Hospital. Eye‑Pointing Classification Scale).
Increase the variety of situations where demands are put on the learner to gain attention and make requests. Ensure that responses from adults are quick and consistent. Do not anticipate the learner’s wants – create opportunities for communication.